Non-fiction mini-reviews: Super Freakonomics and Under the Banner of Heaven

Super Freakonomics

Written by: Steven D. Levitt and Stephen J. Dubner

Published: 2009

My thoughts: If you've watched Orange is the New Black you'll remember the scene where Big Boo comforts Pennsatucky about the children she aborted by citing a study which linked the Wade V Roe case on abortion with the drop in crime 20 years later. I first heard about that link when I caught a snippet of the Freakonomics documentary and after rewatching it with Tom last year I decided I should read the actual book. We don't own the first Freakonomics book, but for some reason we do read the second (which was probably for the best since I hadn't heard of any of the studies/stories that were in this one). The book really is fascinating and super-consumable - I finished it in one afternoon only breaking to run over to Tom and tell him about the latest chapter. I found the "why suicide bombers should buy life insurance" pretty problematic because it seemed like it was essentially just racial profiling with the fancy guise of economic patterning thrown over the top, but the other stories - especially the creative approaches to global cooling - were all creative, funny and fascinating.

Under the Banner of Heaven

Written by: Jon Krakauer

Published: 2003

My thoughts: I'm conflicted with how I feel about this book. On the one hand I really love the way Krakauer writes, he has drawn me into so many stories that I don't know I would necessarily find interesting or engaging otherwise. And when he writes about the Lafferty brothers, two brothers who killed their other brother's wife and child because of a 'calling from god', I felt that same sort of pull in his writing. However amidst the story of the Laffertys Krakauer sets out to tell the history of the Mormon church and explain why there are so many fundamentalist splinter groups. This is where I struggled. I am sure there are people who will find this interesting but the history sections, whether it was the content or Krakauer's writing I don't know, just bored me. That said, I am glad I read this book. I have never really known much about the Mormon faith and the short and turbulent history Krakauer paints really lays the ground for the extremist fundamental Mormon groups that spring up every so often. It also gives a side of American history that I don't often hear, and it's amazing to think how lawless* the US was until recently. So read it? I really don't know if it was that Krakauer was tackling too big a project for a book this length and his writing suffered or if the subject just wasn't enough to engage me. If you've read it, I'd love to hear what you thought.



*In the sense that there wasn't a great deal of unification or concrete army/police forces which led to a lot of chaos,

mini-reviews: Redshirts, Storm Front, Carry On and Flowers for Algernon

Redshirts 

Written by: John Scalzi

Published: 2012

My thoughts: This was a book I'd heard a lot about over the years since it was published. Some good, some bad but almost everyone commented on just how nerdy it was. And nerdy it is, it is an incredibly meta joke about Star Trek and the unfortunate role the 'redshirts' play within that series. If you don't have a bit of a history with Star Trek and the preponderance of quick and sudden deaths for newly introduced characters on the show (which series? Take your pick) then I don't think you'll get much joy out of the book. And even being in on the joke as I was, it did feel like the meta jokes took precedence over actual narrative flow and structure at times. Overall I enjoyed the book and had fun reading it, but like Pride and Prejudice and Zombies I did feel a bit like the joke had run its course about 100 pages in.

Storm Front (Dresden Files #1)

Written by: Jim Butcher

Published in: 2000

My thoughts: I actually read this ages ago, but never got around to finishing a review for it. It's a lot of fun, it's about a modern day magician living in Chicago and working as a P.I. Harry Dresden is sarcastic, grumpy and a little bit incompetent, but also clearly was a much better person and magician at an earlier point in his life (we learn a little about this as the book goes on). There's a lot of rules to how magic is used in this particular world and it's governed by a magical community who stamp down pretty heavily on anyone with a history using black magic, as Dresden once did. This makes Dresden's life and career very tricky when a murder is committed and it looks to both the magical and non-magical communities as though Dresden is the prime suspect. I do intend to read some more of these books, apparently they get really good from about book 7. That doesn't exactly sound like a ringing endorsement of the next 6 books I have to get through, but if they're at least at the quality of this first novel I think they'll be interesting enough to take along on holidays or long rides on the train.

Carry On

Written by: Rainbow Rowell

Published: 2015

My Thoughts: I'm a little scared to say (in front of all of you, my fellow RR fans) that I wasn't too excited for Carry On. Fangirl was easily my least favourite of Rainbow's books so I wasn't sure that this book would deliver anything I was after. I was pleasantly surprised. I probably won't head back to reread it like I will Attachments or Eleanor and Park, but I found it funny, heartwarming, compelling and narratively sound (which sounds douche-y, but considering it was essentially Drarry fan-fiction I wasn't sure it would really stand up as a story of its own). I liked this a lot more than the extracts in Fangirl led me to believe I would enjoy it, so my sincerest apologies to Rainbow for daring to doubt her.

Flowers for Algernon

Written by: Daniel Keyes

Published: 1958

My thoughts: Though I hadn't read Flowers for Algernon before last October, I knew the story pretty well and as  there were at least 2 shows  (It's Always Sunny, The League) last year which spoofed the concept, I figured it was time I read the source material. Flowers is fairly short but it hooked me in from the start. Telling the story of a man with below average intelligence the book is written from his perspective literally, taking an epistolary approach to tell Charlie's story as he undergoes surgery and testing to increase his intelligence. You end up incredibly close to Charlie because of the way it is written and it is a real gut punch to interpret things about his life that he's never been able to recognise because of his intelligence and general innocence. It's a very simple story but the takeaway is huge and immensely emotional.

Time Suck Mini-reviews: True Crime Books and Comics

I'm going through something of a true crime bender. I read Ann Rule's The Stranger Beside Me while I was in Europe and before I knew it I was reading true crime comics, watching documentaries and listening to podcasts. True crime isn't outside of my interests, but I've never really gone this gung-ho before. So rather than make this a true crime blog for the forseeable future (although I think I'm getting too angry and sad to keep this up much longer) I'm going to squeeze them all into a couple of posts (one for the content I've read, one for the content I viewed), both for my sanity and yours.

What I've Been Reading: 

The Stranger Beside Me by Ann Rule.

This was the book that kicked off this cycle, although in fairness I was probably primed for it by listening to Serial last year. The Stranger Beside Me is the story of Ted Bundy, the man and the murderer. However, as seems to be a bit of a trend for me in the true crime I pick, this book tells the tale of author Ann Rule's relationship with Ted Bundy. Beginning when she was an aspiring writer penning the occasional article for true crime magazines, Ann Rule also worked at a helpline with the young Ted Bundy.  He was (if I recall correctly) about 15 years her junior, but they became close friends almost instantly. As Rule's writing career began to take off and she was hired to write a book about the series of murders that would be tied to Bundy. This connection made it increasingly difficult for Rule once it became clear that Bundy was not only the key suspect but the perpetrator of the 30+ rapes and murders committed across the country. I found Rule's writing to be compelling and her reenactments of the crimes really captured the methodical and sadistic nature of Bundy. However, I actually struggled with the personal element of the book by the end. It seemed to me, based on the accounts in her book, that he was clearly using her because of her connection to the police. While she said they were close, the only personal anecdotes involving interactions outside of work begin after he starts his murders (or around the time of the first murder). So either they weren't as close as she thought and he manipulated her in the same way he manipulated his victims, or she left out some compelling evidence that they were anything more than co-workers who chatted in their downtime on late night shifts. Tne subheading of this book is "the shocking inside story," but Rule is guarded in providing too many personal details, so I don't know that we really get much of an inside story at all. And without any real divulgence of personal details, we also don't get any real introspection about the relationship.  If you're going to make the story personal, make it personal. Otherwise just write a compelling story of Ted Bundy and his crimes - which is already 80% of this book. I also think her personal involvement muddies her perspective somewhat. She struggles to separate the Ted she knew and the Ted who committed the murder and that gives way to a lot of waffling over certain decisions like him breaking out of prison - which to most people is a pretty clear sign of his guilt. She also gets to the end of the book without straight up stating that he is guilty, rather she frames it as he was convicted of the crimes, which to me - coupled with the other way she discusses the case - suggests that she thinks he may be innocent or wrongfully convicted. I think she went through a lot of confusion and mixed emotions about his involvement and subsequent conviction and I think the book would have benefited greatly if she had either fully opened up and made it a personal account of a woman who was friends with a serial killer up until their conviction (she sent him lots of money and letters while he was in jail leading up to the trial) or an objective account of a horrific serial killer.  In the end it flitters a little between the two and is weaker for it.

Green River Killer: A True Detective Story written by Jeff Jensen, illustrated by Jonathan Case. 

Last year I read the graphic novel My Friend Dahmer and really dug the idea of true crime comics. Obviously they aren't going to be as dense with detail and information as a normal true crime novel, but they have the potential to tell a much more personal angle than you typically read in this genre. Green River Killer was a title that came up every time I looked for a follow up to My Friend Dahmer but it wasn't until today that I found a copy. It's written by Jeff Jansen, the son of Tom Jansen - the cop who spent over 20 years on this case. It takes place over several decades, though it is set primarily 2005 when Jansen and several other police officers were stuck in a room interviewing Gary Leon Ridgeway about his murders for a controversial plea deal (he'd get life in prison, no death penalty). Ridgeway had confessed to being the Green River killer, but remained vague and cagey about the details of his crimes. The plea deal meant that he had to give them information about several murders he says he had committed that the police had never uncovered, but when they would take him to the locations he disclosed he'd clam up or only give details that were well known by the public. Was he playing with them or could it be that he wasn't the serial killer he confessed to being? (surprise, he was a killer but he had disassociated from that past 'Gary'). The book flashes back to some of the key murders in Ridgeway's life, such his first attempted murder in 1965 of a young boy, and the murder and bizarre presentation post-mortem of the victim Christine King. But more often than not the book presents the victims of Ridgeway as in flux, hair styles and clothing changing in each sequential frame because to Ridgeway these women held no real importance - there was no real reason for him to remember them. All told, Ridgeway murdered at least 48 women and teenage girls primarily between 1982-1984. Ridgeway picked prostitutes as his victims because they were easy to lure and kill, because he knew society didn't care about them. He would pick up prostitutes and take them either to his house or the woods and if they didn't 'love him right', he would murder them. There is even one occasion depicted in the book where Ridgeway picked up a girl with his son in the car, although it isn't made clear if this was one of the women he killed or one lucky enough to get away. It's also unclear whether Ridgeway continued murdering up until his capture, but if he did he didn't continue at the same rate as his early period in the 1980s. The fact that the book takes place 20 years after that initial period makes for a compelling narrative because we are likely seeing a man who considers his murders the acts of a different version of himself, an earlier Gary. In all of the interviews and encounters he separates himself, while also never denying that he did commit the murders. He talks of it all being so 'long ago' and yet for the police who interview him, the details of his brutality are seared into their memories. This book isn't just about Gary Leon Ridgeway and the Green River murders though. It is also a loving tribute for a son who respects his father and his father's dedication to find answers for the families of the women lost. Aspects of Tom Jensen's own life - his marriage, his police officer re-tests - are juxtaposed against the case investigating the murders and Ridgeway's recollections of the murders. This case, like his marriage, family and the endless renovations on the family home, was his life. And it's surprisingly beautiful to find this tribute entwined among such horror.

Torso written by Brian Michael Bendis, illustrated by Marc Andreyko.

Torso is less the personalised account of a relationship with or connection to a murderer and more a semi-fictionalised retelling of a particularly grisly cold case. It's like a short From Hell in that sense. Taking place in 1930s Cleveland, Torso explores the Torso serial murders amidst the turbulence of Eliot Ness's installment as Safety Director and depression-era America. Ness was a prohibition agent in Chicago, so his arrival in Cleveland is depicted in reflection to the murders, as both shook the police force and public to their core. The murders are horrific, someone decapitated and dismembered at least 12 victims from Cleveland's "shanty town". Much like the Green River Killer, the murderer targeted these people because they were easier to miss, both because of their transient nature and their position in society. The comic follows the popular theory that a Dr. Sweeney (named Mr Sundheim in the comic) but towards the end diverges completely from fact and re-imagines a much more action-packed finale. It's a riveting read but it's also pretty obvious that it isn't based in reality, which conflicts with the earlier portions. One thing the comic did that was really interesting was juxtapose illustration with photos from the time (see above). This makes for an interesting visual. They seem to primarily be photos related cirectly to the case and, in fact, at least one photo used is an actual crime scene photo of one of the victims. It makes it hard to separate from the reality of the situation, that while the comic is interesting and action-packed it is still a retelling of a series of murders which were never solved. Not as consistent as Green River Killer, but an interesting experiment in true crime comics nonetheless. 

Graphic Novels #35

Nemo: Heart of Ice (League of Extraordinary Gentlemen special #1)

Written by: Alan Moore; Illustrated by: Kevin O'Neill

Published: 2013

My Thoughts: I usually avoid these types of specials and one-shots because they rarely capture the magic of the original. But The League of Extraordinary Gentlemen is the kind of series that I think could have benefited from being more serial in nature, so I decided to give this one a go. The story follows Nemo's daughter, Janni Dakkar, as the new captain of the Nautilus. Feeling jaded and a little constrained by her father's legacy, Cap'n Nemo II decides to take on the one expedition that her father failed, a trek through Antarctica. Nemo and her crew are being followed by these evil inventors, and there's something about an African Queen I didn't quite understand. I don't know if these are threads of a story I haven't read or if it's as disconnected as it felt to me, but I didn't quite grasp the over-arching storyline. That being said, when I concentrated just on Nemo II and her journey with her crew, I really enjoyed it. It's like a comic version of the old Tarzan pulp novels and the art style reflects this very well. As is Moore's want, there's also a Lovecraftian supernatural aspect to the story which I especially enjoyed. It's very short, but very readable.

V for Vendetta

Written by: Alan Moore; Illustrated by: David Lloyd

Published; 1982

My Thoughts: I can't believe it's taken me this long to read V for Vendetta! I was a little lukewarm about the film, but I felt like the comic was a much more complete story. While it's a heftier comic than some of the ones I review on here, it really doesn't take much time to get through at all - it's immensely consumable. Dystopia is where Moore really shines, and the simple art with muted colouring really suits the story being told here. That being said, since it's an early book by Alan Moore some of the writing and ideas aren't as solid as is could be. Some threads are left hanging, others are wrapped up a little too neatly and it does get a little tell-over-show sometimes (I think Moore likes a good monologue). An absolute must-read for Moore, dystopia and political comic fans.

Graphic Novel review #34

Cinema Panopticum

Written and illustrated by: Thomas Ott

Published: 2005

My Thoughts: I first came across Thomas Ott through his illustrated cover for Shirley Jackson's We Have Always Lived in the Castle. I love his scratchboard art style, it adds an enormous amount of visual complexity to his stories, which is necessary since they are entirely wordless. Cinema Panopticum follows a girl at a fair who can't take part in any of the activities on offer because she doesn't have enough money. She finally finds the Cinema Panopticum tent, which has 5 movie boxes that are cheap enough for her to afford. Each movie is another short chapter, and the stories are all fairly dark and foreboding, although some are laced with a wicked wit while others are just downright heartbreaking. It's only a short little book but it packs one hell of a wallop.

Birds of Prey: The Death of Oracle (volume 2)

Written by: Gail Simone; Illustrated by: Adrian Syaf

Published: 2011

My Thoughts: I picked this up thinking it was the first volume (I hate when they don't number the spine!) but even so, it clearly sets out all of the major players and recent events at the start of each issue, so that presented no real issue. The story is interesting enough, Oracle (Barbara Gordon, now in a wheelchair) has garnered a little too much attention as a tech-genius and her enemies are now doubling-down on trying to eliminate her. Not only is Oracle a credible threat in her own right, but as Oracle she monitors and supports countless of other heroes so any threat on her life has a knock on effect. The rest of the Birds of Prey are tasked with trying to save Oracle while also having to come to grips with their own dark pasts. This is my, to my knowledge, first Gail Simone and ... I didn't love it? It's a solid story and the characters are well-developed but it didn't wow me. But an (almost) all female team of heroes, some of whom began as anti-heroes or dabbled with villainy, is too good a concept for me to give up on after one middling edition. I'll give it at least one more edition and make my mind up then.

Lady Justice (volume 1)

Written and illustrated by: C.J Henderson; Fred Harper; Daniel Brereton

Published: 2008 (though the collected comics are from the 90s)

My Thoughts: Ugh, this is a good example of making sure you read the fine print. In case you can't see in the cover image, Neil Gaiman's name is written above the title. Awesome!, I thought. Turns out it's not written by Gaiman but merely based on a character of his, and loosely, so very loosely. The concept itself is kinda awesome (kudos to Gaiman). Lady Justice appears to women who have been wronged and implants them with her powers, making them her physical avatar. They then have the power to gain justice for the wrongs they've experienced. The first issue is very violent and very bloody, but when Lady Justice leaves her avatar and the woman cries for her to stay saying she "did everything L.J asked of her," Lady Justice replies that she didn't say how the justice should be meted out and that "the blood and violence was entirely her choice, and she should beware that she isn't revisted in the future by another Lady Justice avatar"*. This I actually really dug, but this story was completely destroyed by the following two or three stories which were equally as bloody and equally as violent. What happened to choosing how to deliver justice? Or that the justice should be proportionate to the crime? I think there was one which actually had the bad guys going to jail instead of dying, but plenty of other people had died by this point. It's just all so pointless. The art is also very '90s pornographic superhero style. Huge gravity defying boobs, tiny waists and the women are always walking on tip-toes. Pass if you ever see this guys, HARD pass.



*my paraphrasing

Graphic Novel Mini-reviews #33

Chew: International Flavor (Volume 2)

Written by: John Layman; illustrated by: Rob Guillory

Published: 2014

My Thoughts: I read the first volume of Chew aaaaaaages ago, but I never got around to buying the second volume. God knows why because these comics are side-achingly funny. To recap a bit, Tony Chu is a cop who is cibopathic - meaning that he can get the "history" of something by tasting it. Yes that means he can tell whether that black market chicken soup is made with real chicken, yes that means he also takes the occasional bite out of a dead person. It makes for some disgusting moments (especially when you factor in a boss who hates him) but they're always hilarious. In this volume Tony finds himself on a little island renowned for its lax chicken laws, something which attracts everyone from his chicken-chef brother and a host of tourists and chefs to the island. But it turns out the chicken isn't actually chicken, and perhaps some of the chefs aren't here of their own volition. Throw in a vampire, a bionic partner, a host of cibopathic-style specialties and you've got the best cop comic written about illegal chicken ever. EVER.

Thor: Goddess of Thunder (volume 1)

Written by: Jason Aaron; illustrated by: Russell Dauterman

Published: 2015

My Thoughts: Lady Thor!! YES! I put off reading this run until the first volume came out because I instinctively knew that it'd be one that would make me sad if I couldn't just read through a big chunk of it. Basically, male Thor has become unworthy of wielding Mjolnir and a secret female has picked it up and been transformed into the female incarnation of Thor. Who she is out of Asgardian armour we don't know (yet) but what we do know is that she knows male Thor to some degree. There's a really interesting discussion about what makes a person Thor, is it a mantle that can be adopted by whoever holds Mjolnir or is it intrinsically tied to the man who originally held that name. And are you worthy of the name just because you can hold the hammer, or does the name hold another measure of worthiness? The comic subtly plays with male vs female expectations within the comics world, weaving it into the broader story while never making it the story. I'm not familar with Russell Dauterman's other work, but his illustrations in this volume (all but one issue) are really evocative and beautiful. 

Cat Person

Written and illustrated by: Seo Kim

Published: 2014

My thoughts: A few weeks ago Tom and I headed down to the Gold Coast to attend the final weekend of their film festival. We had some time to spare before seeing a movie, so we ended up popping into a library and having some reading down time. I picked up Cat Person because, duh. OF COURSE I picked up a book that was clearly written for me. It's a short collection of 1-4 panel comics created by Seo Kim. In direct contradiction to the title, the cat comics are only actually a small part of the book. The comics are broken into 4 autobiographical sections about her love life, her cat (I want to say Jimmy?) and her life as an illustrator. It's really cute and relateable, but it's probably not made to be read front to back in one sitting like I did. It's the kind of book that you flick through and read a couple of comics every now and then.

Graphic Novel mini-reviews #32 (Women be kickin' ass)

Ms Marvel: Generation Why (Volume 2)

Written by: G. Willow Wilson; Illustrated by: Jacob Wyatt, Adrian Alphona

Published: 2015

My Thoughts: Ms Marvel is one of the comics I keep on top of month to month, and it is such a treat each and every time. The comic, aside from being freaking fantastic for female and POC representation, is always fun, humorous and fantastically written and drawn. This volume continues with the main mystery about the missing kids and the Inventor, but there are also wider story arcs about the origin of her powers and her life outsider of superhero-ing. It does a fantastic job balancing these aspects of her life and having the lessons from high school/family situations influence her approach to being a hero and vice versa. If you haven't started reading this series yet then I implore you to get on it. You're are really missing out on something great.

X-Men: Primer (Volume 1)

Written by: Brian Wood; Illustrated by: Oliver Coipel, David Lopez

Published: 2013

My Thoughts: I've only read a few X-Men arcs (there are just so freaking many) but as soon as I heard that there was an all-lady arc of X-Men comics I was on board. I mean, OF COURSE I WAS. The comics don't eliminate the male characters (Beast and Wolverine have bit parts) , but it's great to read a kickass story about women banding together to eliminate an alien (and a lady one to boot) that's threatening to destroy the whole world. There's also a lot of female-related issues incorporated, from lady-on-lady rivalries, motherhood, and growing pains (emotional, not physical) which makes it just a really fantastic volume for female comics fans, especially younger ones. There's also a bonus issue from the 80s which is all BIG hair and HIGH fashion and shopping montages and strip clubs, which is absolutely everything I want and need in a comic.

The Lumberjanes (Volume 1)

Written by: Noelle Stevenson; Illustrated by: Grace Ellis, Brooke Allen

Published: 2015

My thoughts: This comic is just the cutest comic around. The story is pretty simple, a bunch of girls are at a summer camp and constantly find themselves up against a bunch of weird ass stuff, monsters and were-bears and feuding Greek gods. But all of that is secondary to this group of 5 girls just having a freaking blast with each other as they deal with these supernatural obstacles. There's something really amazing about media that tells a story of girls just getting along. There's usually a guy in the way or girls hating on other girls and it gets SO tiring. These girls are all so different and unique and yet they support each other through everything and it makes me SO HAPPY. I'm grinning like a loon just thinking about it. Absolute must read.

Graphic Novel mini-reviews #30

Saga (volume 2)

Written by: Brian K. Vaughan; illustrated by: Fiona Staples

Published: 2013

My thoughts: I'm finally reading Saga again! After the first volume I decided to quit it for awhile, not because I didn't enjoy it but because sometimes the pain of waiting for the next issue is just TOO MUCH. It took me a few pages to recall what happened in volume 1 (which apparently I never reviewed?) but once I got back into the rhythm of it, I was back in a big way. This series is, sort of, space Romeo and Juliet, at least in the sense that the two main characters (who loooove each other) are from two warring species and their togetherness and the procreation of their teeny tiny adorable baby is causing major problems.  Except in this volume these problems are magnified when Marko's parents and ex arrive on the scene (separately, and with very different intentions). It's hard to know where the series is going to go, other than forward and away from the people who wish this trio harm, but I'm enjoying the great writing and art nonetheless.

Fables: Sons of Empire (9)

Written by: Bill Willingham; illustrated by: Mark Buckingham, Steve Leialoha, Andrew Pepoy, Gene Ha, Joshua Middleton, Inaka Miranda, Mike Allred.

Published: 2007

My Thoughts: This volume is a bit of a placeholder. It lays the groundwork for the upcoming Fabletown war and provides a little insight into the Adversary's war council but most of the volume is actually short 1-3 page stories featuring a bunch of the fables characters that has very little, if anything, to do with the war. I could imagine this being annoying to some, especially with the war teasers at the top of the volume, but I really liked the vignette style glimpses into life as a Fable. It's nice to see what life is like for them away from the calamitous fears of war and sadness over their lost homelands.

Princess Ugg (Volume 1)

Written by: Ted Naifeh; Illustrated by: Warren Wucinich

Published: 2014

My Thoughts: Princess Ulga finds herself completely out of her element when she leaves her mountain home to attend a princess finishing school. Gone are the battle axes and war helmets and in their place instead are musical instruments and princess gowns. While she knows she needs to attend the school if her mother's wish for her family to find peace with the frost giants is to be accomplished, she's alone and lonely and ridiculed by her fellow princesses. There is a lot to like about this book, like none of the princesses bar one are you standard blonde, white Sleeping Beauty type. There's the beautiful watercolour art used for flashbacks or dream sequences. And there's Ulga (or Ugg as the other princesses call her) who accepts herself in spite of being completely different, is freakin' ripped and determined to make princess school work. That said, I'm not totally sold on the series. There are some moments where the story lags or the writing is a little awkward, so I think I'll wait to get volume 2 from my library before decided whether I'll proceed or not.

Graphic Novel Mini-Review #29

Fatale: The Devil's Business (2)

Written by: Ed Brubaker; illustrated by: Sean Phillips

Published: 2013

My Thoughts: Ah Brubaker, you've done it again. Volume 2 of Fatale takes place in the late 1970s so it isn't quite as noir-ish as the first volume, nor is it quite as mysterious. This volume gives us a much closer look at Jo, our ageless captivating fatale, although she's still as much of a closed book as she was in volume 1. She finds herself caught in a seedy situation when an actor and his ex (now dealer) sneak into her backyard after running away from a crime scene. It turns out that Jo has a past connection to the Mason-esque cult church that the two are running from and as the volume continues it gets messier and murkier and hints at Jo's mysterious past. I loved having a bit more of her perspective this volume even if there is still so much to learn before the series ends. Just as she entrances every man she comes into contact with, I found myself captivated in the sadness that surrounds her. Where has she been? What has she seen? The art beautifully compliments the mood of the comic, although there are times where secondary characters are hard to distinguish from one another.

My Friend Dahmer

Written and Illustrated by: Derf Backderf

Published: 2012

My Thoughts: I think this might be the first non-comic series comic I've read in awhile. Tom's brother bought it for us for Christmas and I eagerly read through a couple of days later. The subject of the comic is fascinating for a couple of reasons. First and most obviously, it's a look at Jeffrey Dahmer before he was the Jeffrey Dahmer who murdered and raped and ate people. Second, it's fascinating in its complete dullness. Dahmer is a strange guy, for sure, but what high school didn't have the guy who put on weird voices or seemed to be dealing with his own hidden demons? As much as Backderf exclaims over his disbelief that no teachers ever took Dahmer aside or spoke to his parents, I'm not sure there was ever enough, judging off this comic, to really write home about. While Backderf paints a sad tale of a boy who grew up without much love or attention in a tiny town of few distractions and old-fashioned morals which made it difficult to come out as gay, what really hit me was that Dahmer could have been so many people I knew growing up. I knew people who smoked too much pot and drank themselves into comas every weekend. I saw people walk around our high school campus without ever really seeming to fit in or even wanting to. I knew people who struggled with coming out as gay, who battled with their parents or who were hurt by their parents disapproval or oblivion. This comic really hit home that anyone could be a serial killer. Most people won't be, but it's not like they're walking around with a giant sign reading "danger danger, future murderer" while slaughtering kittens in front of you. The book does get a little armchair psychologist-y at times and I think Backderf could have benefited from a little more inward examination but he's done a great deal of work to combine his personal anecdotes from high school with evidence that has since come out about Dahmer's first dalliances with animal mutilation, sexual identity and his first murder. It's sensational without being sensationalist.

Hawkeye: L.A Woman (3)

Written by: Matt Fraction; Illustrated by: Annie Wu, Javier Pulido

Published: 2014

My Thoughts: L.A. Woman is the collection of Hawkeye issues that focus on the lady Hawkeye, Kate Bishop. After being well and truly fed up with Clint/Hawkeye's self-destructive bullshit she decides to make her way to L.A to start fresh and a P.I. Kate felt a little less together in this collection than the previous two and I can't work out if it's just because she doesn't have the human wreck known as Clint Barton to be compared to or if she's actually more of a disaster in these pages. There definitely does seem to be a great deal more of the "she's grown up rich and hasn't ever really had to consider paying for accommodation or food or life" stuff than I think I remember from volumes 1 or 2. These were problems I battled with while reading the volume, but I also fell pretty hard for her almost instantly. Maybe her messy life is a condescending way to make a female superhero appeal more to general readers, but she also felt a bit like a grown up Veronica Mars or Buffy the Vampire Slayer (what with the ass-kicking) which is always okay in my books. David Aja is off art duty this volume, and while I missed his stunning art I quite enjoyed Wu's take on the character. There was a lot more experimentation in terms of the different art styles, and I found the switches into the almost-chibi anime style a nice representation of Kate's arrested development. I am also totally on board for an Elliot Gould look-alike and stories that poke fun at the Hollywood persuit for eternal youth any day of the week.

Graphic Novel Mini-reviews #28

The Wicked and the Divine: The Faust Act (Volume 1)

Written by: Kieron Gillen; Illustrated by: Matt Wilson, Jamie McKelvie

Published: 2014

My Thoughts: I've been reading this since the first issue was released a few months ago and now that the first volume has been released I can finally review it! This is a really interesting series, it uses various mythologies to comment on modern celebrity status and popular culture. The basic concept is that the every 90 years the pantheon of 12 gods are reincarnated and given another 2 years on earth before they die again. During that time they inspire hatred and adoration in equal quanities and are credited with being the trendsetters and muses that push humanity forward. This iteration takes place now and most of the gods are on Earth as rockstars. There's the David Bowie-esque gender bent Lucifer, the Kanye West inspired Baal and my personal favourite, the triplet Morrigan who is a little bit Florence Welch, a little Sinead O'Conner and a whole lot awesome. As much as I enjoy the series, I found reading it as each issue came out a little disjointed, especially in the earliest issues. I think this is the kind of narrative that it helps to give your full attention to from start to finish. And while I'm not really sure where the narrative is headed, I am loving the journey. The art, by the way, is flawless. Really vibrant and clean. And the gods are iconic and completely individual, while also beautifully tying into the symbols and iconography of the gods they represent. I have so much wardrobe, make-up and hair envy - those gods sure know how to put together a look.

Hellblazer: The Devil You Know (Volume 2)

Written by:Jamie Delano; Illustrated by:  David Lloyd


Published: 2014 (original comics from the late 1980s)

My Thoughts: While I'm still really enjoying Constantine as a character, this volume was all over the place. In the first volume I really enjoyed how segmented the issues seemed to be but this time it seemed like a fault rather than a positive. The first couple of issues resolved the primary arc from volume 1, but after that they seemed to hop and skip backwards and forwards in time - at one point he mentions being 30 while he was set up as 35 in volume 1 and another story seems to be set in the late 1990s instead of the 1980s - not completely unexpected since this volume is made up from different arcs. My main issue is that there are vague mentions to haunted pasts and demons hunting him, but because of the time shifts it's hard to work out if it's a threat we've met before or just the kind of hazard most magicians would face. Couple that with some non-traditional panel layouts and I just felt off-centre as I read through. The stories themselves were pretty solid outside this confusion though, there's one in particular "Antarctica" which just kind of blew my mind. So while this one didn't hit the same exact heights as the first, I'm still eager to move on with the series to see where it goes.

Suicide Squad: Kicked in the Teeth (Volume 1)

Written by: Adam Glass; illustrated by: Ryan Benjamin

Published; 2012

My Thoughts: Suicide Squad was a pretty creative way to reintegrate a bunch of out of work villains back into the DC world. Some you'll have heard of (Harley Quinn and Deadshot) while others (King Shark and yo-yo) are probably absent from your memory for a reason. But the rag-taggyness of the group is kind of the point. The higher-ups consider them to be fully expendable, worthless criminals who are only useful as cannon fodder. It's not surprising then that the turn over is pretty high. New villains join the squad only to die five panels over, and unless they're literally falling apart they're not going to see a hospital bed any time soon. One of the things that I really enjoyed in this comic is that the missions rely on the villains acting villainous. They're not jobs Superman or Batman could take on because they have morals. They want to save lives and they're always looking for a way to avoid sacrificing a life to achieve a result. These guys are ruthless. They want to save their own skin and they aren't ashamed of it. At the same time some of the team are vigilantes rather than villains (think Black Spider) and have to wrestle with the moral compass while trying to stay alive. It's not always elegantly depicted, but it's interesting and action-packed nonetheless.

Graphic Novel mini-reviews #27

Captain America: Winter Soldier (Volume 2)

Written by: Ed Brubaker; Illustrated by: Steve Epting

Published: 2005

My Thoughts: I probably enjoyed the first volume of Winter Solider a bit better than the second. The first was very introspective, something I always dig in my superheroes. This volume is far more action-heavy - whether in the present day assault from the Winter Soldier (and those he works for) or in the WWII flashbacks that feature heavily in this volume. All that being said though, it isn't like this volume completely discounts on character development in favour of action set-pieces. There are some brilliant moments where Cap wrestles with whether the Winter Solider is actually Bucky anymore and if there is even a fraction of Bucky still alive - should Cap do everything in his power to save him?

Kill Shakespeare: Mask of Night (Volume 4)

Written by: Anthony Del Col, Colin McCreery; Illustrated by: Andy Belanger

Published: 2014

My Thoughts: I wasn't sure if I wanted to read any more of Kill Shakespeare after the third volume. It wasn't bad, but I did feel like perhaps the gimmick had played out. But when I saw this was only a four issue volume I figured I'd give it a shot and see if they managed to introduce anything new to the story. The story takes place directly after the third volume, with Shakespeare, Juliet, Hamlet and Othello angry and still slightly mad from Prospero's Island. While they escaped Titus's navy they find themselves in the hands on Cesario and Viola, two dastardly pirates (and lovers) who intend to turn them in to the highest bidder. And yes, you read that correctly - Cesario and Viola are two separate people in this story AND they're together. It actually took a moment to remember that Cesario is Viola's alter-ego in Twelfth Night but I kind of dug that depending on your Shakespeare knowledge their relationship took on very different connotations. And it's moments like that which make these comics interesting. Not the slightly shoe-horned in lines like "parting is such sweet sorrow" when two characters separate, but the much less overt character traits that demonstrate that this team not only know Shakespeare, but know him well enough to experiment based on thematic elements of his plays. If you've enjoyed the other three volumes then you'll probably still enjoy this one - but I definitely feel as though it's weakened a bit with each volume.

Rat Queens: Sass and Sorcery (Volume 1)

Written by: Kurtis J. Wiebe; illustrated by: Roc Upchurch

Published: 2014

My Thoughts: I've been wanting to read this for soooo long but I wanted to wait until a trade volume was released and luck would have it that Comixology had it on sale. Score! This comic is everything. I can't even tell you how much I adore it. It's a D&D player's dream. There are four gorgeous, sassy, kickass female protagonists - Hannah the Elven Mage (with an excellent rockabilly vibe), Violet the Dwarven warrior, Dee the human cleric and Betty the Goblin (Smidgen) thief. They're all heavily, heavily flawed but loveable characters with a penchant for quests, bar fights and sex. Betty considers candy and drugs a perfect meal, Dee is overcome with social anxiety, Hannah is reckless and Violet was beardless before it was cool. They're joined by a motley crew of enemies, frenemies and lovers, of which Orc Dave is my absolute favourite. He's a cleric who has magical bluebirds settle in his beard after healing. BIRDS IN HIS BEARD, SO FREAKING CUTE. The art style is cute and colourful, the writing is fun and (at times) vulgar. It's basically like being back in one of my D&D campaigns which is the most wonderful thing ever because I miss D&D like crazy. So this is helping fill that gaping, ridiculous hole.

Graphic Novel mini-reviews #26

Guardians of the Galaxy: War of Kings Book 2 (Volume 3)

Written by: Dan Abnett; Illustrated by: Andy Lanning, Brad Walker

Published: 2010

My Thoughts: At first I wasn't completely sold on this volume of GotG. The elements I love were all there, the group dynamic, the cosmic messiness and the writing but the initial premise didn't excite me. The Shi'Ar and Kree have declared war on each other and this war threatens to destroy the very weakened universe. As the Guardians are lacking the scope of the two armies they decide to try and appeal to each side's reason - if you continue with this war, the universe will cease to exist. Both sides are so blinded by their anger and warmongering etc etc that they can't or won't see the bigger picture. I don't know if it's just that this basic storyline has been done before or if it's because it seems so unrealistic but I groaned every time Starlord tried to reason with the Inhumans who are leading the Kree. I liked witnessing the haphazard team trying to hold things together, I just wish the reason for the war/why they won't step back was better set up. Once that initial hurdle is passed I felt like the volume hit the heights I expect from it. There's time travel and shifts between realities and countless battles and some devastating events that round it out to be a really hefty volume of comics. So a little meh to start but a winner by the end.

Hellblazer: Original Sins (Volume 1)


Written by: Jame Delano; Illustrated by: Rick Veitch, John Ridgeway, Alfred Alcala, Tom Mandrake

Published: 1988

My Thoughts: Hellblazer is one of Tom's top comics and even though I know I started this last year, it was only at his instance after watching the Constantine pilot that I decided to pick it up again. Constantine is a brash London magician who refuses to pick a side between heaven and hell. It's dark and dank and surprisingly political but since it's both written and set in the late 1980s there are also some awkward moments, specifically ones involving a gay character, which depict some incredibly outdated views. But since Constantine is meant to be morally-ambiguous at best, I don't feel like it detracts from the overall comic - squicky as it might be. There are more than a few similarities between Hellblazer and TV's Supernatural, which is to be expected since Supernatural wouldn't exist without Constantine taking those first sarcasm-laden, demon-hunting, sex-having steps. But Constantine isn't just a pulpy monster-of-the-week comic. The first 6 issues have an almost short-story feel to them, separately setting up the character while also leading us towards the narrative that'll finish of this volume and lead into the next. To jump back to the Supernatural comparison, Constantine is the man I'd expect if you smooshed Dean, Sam and Castiel into the one body, made him bisexual, English and post-punk who reminds me of a celebrity I can't quite place - am I thinking Billy Idol? David Bowie? Someone else entirely?

Wonder Woman: War (Volume 4)

Written by: Brian Azzarello; Illustrated by: Cliff Chiang, Goran Sudžuka, Tony Akins, Dan Green

Published: 2014

My Thoughts: This volumes ends the first arc of New 52 Wonder Woman and I really, really enjoyed it. I loved the warring gods angle, I love WW's determination to protect her half-brother, I love how smart and compassionate and killer WW is. But most of all, I love the ensemble nature of this run. WW started her life as an Amazon, and while she wasn't entirely accepted by her sisters that overarching group dynamic led her life. When she left the Island she wanted to work alone, partly because her family was gone and partly because she'd never been able to have any real independence before. But as with the best of friends, characters like Hermes and Zola and Strife and Lennox pushed their way through her barriers and now stand firmly by her side. It's their interactions and role in the ongoing narrative that helps me push through the occasional plot failing or pacing issue. I have a lot of comics on the go that I read issue-by-issue but Wonder Woman isn't one of them. So for now I have to hold out and wait for the next volume of issues to be released, which hopefully won't take too long.