Pages to Panels: Another Bookish Guide to Getting into Comics (5)

It's been awhile since I posted a Pages to Panels, and since I'm so sketchy with reviews right now is a doubly good time to share.

Like my first Pages to Panels post, this one is to help match your (book) reading style with some popular comics. Some of the series are ongoing while others have already been completed. One of the toughest things I find with comics is waiting for new issues (I just want to read them NOW) so if you're like that then I recommend going for some of the options that have already been completed.

So here are another three series I think you should all be reading. If you want to go back to some of my earlier pages to Panels posts, the links are all at the bottom of the page.

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1. Fatale - Ed Brubaker, Sean Philips (5 volumes, completed)

I reviewed the first volume of Fatale awhile ago and was absolutely captivated with the effortless blend between horror and noir. It's astounding how well it was done and it was subsequently added as further proof in my very long "Ed Brubaker is a comics god duh" list. The horror elements of this novel are very Lovecraftian but when I was trying to decide on a single book/story to add to the banner it occurred to me that I felt like threads of The Mist were present in it. Not in any narrative sense but thematically or stylistically? I'd have to reread The Mist to work out why it jumped out at me as an obvious comparative choice, but in my gut it feels right. That said, the horror isn't really present in the graphic novel, at least not in the first few volumes. It's almost more that it's something that's hovering around the corner that keeps catching the corner of your eye when it adjusts its position.

Similar comics you might also like: Neonomicon (Alan Moore), Batman Black and White (various authors), Dead Letters (Christopher Sebela)


2. Doom Patrol - Grant Morrison, Richard Case (6 volumes, completed) 

I've mentioned it before but Grant Morrison is weird. But he's the best kind of weird, he opens up your head and forces in all these absurd and fractured concepts that make you look at things differently. Doom Patrol is a comic for the untraditional. The heroes aren't your standard Supermans or Aquamans, they're a motley crew of damaged and unexpected heroes. There's a sentient street, a schizophrenic, a robot and a lot that can't really be explained with a single word. Similarly, the villains aren't your run of the mill variety. My favourite were probably The Brotherhood of Dada, which features a villain who has every power you haven't thought of. The book does a great job of subverting your superhero expectations and will keep your forever on your toes.

Similar comics you might also like: Animal Man (Grant Morrison), Top 10 (Alan Moore), Deadpool (various authors)


3. The Wicked and the Divine - Kieron Gillen, Jamie McKelvie (1 Volume, on going)

Now before all of you American Gods haters write off this comic, the main reason I used it as a comparison is because of the way it utilises mythology. Where American Gods used myths to reflect on culture and cultural identity, The Wicked and the Divine uses it to look at popular culture and celebrity status. If you didn't like American Gods I think you will still like The Wicked and the Divine, and if you don't I doubt it has anything to do with a Neil Gaiman novel.  In WicDiv 12 Gods from the pantheon (which Gods changes every cycle) return to Earth every 90 years to live again. During that time they inspire and distract and torment and are credited as a critical component of societal progress. In this iteration the Gods have come back as musicians (hence the Bowie comparison above, who Lucifer is directly modeled off) except this time an internal conflict has erupted between the Gods. The art and character design in this comic is exceptionally well done. There's a level of minimalism in the panels which keeps the highly saturated colour choices from becoming overwhelming, as well as keeping the focus on our Gods. I think the second volume has either just been released, or is about to be.

Similar comics you might also like: Unwritten (Mike Carey), Saga (Brian K. Vaughan), ODY-C (Matt Fraction)








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Read my previous Pages to Panels posts: 

Pages to Panels: A Bookish Guide (1)

Pages to Panels: Superheroes (2)
Pages to Panels: Jump Right In (3)
Pages to Panels: Linkage (4)

Graphic Novel Mini-Review #29

Fatale: The Devil's Business (2)

Written by: Ed Brubaker; illustrated by: Sean Phillips

Published: 2013

My Thoughts: Ah Brubaker, you've done it again. Volume 2 of Fatale takes place in the late 1970s so it isn't quite as noir-ish as the first volume, nor is it quite as mysterious. This volume gives us a much closer look at Jo, our ageless captivating fatale, although she's still as much of a closed book as she was in volume 1. She finds herself caught in a seedy situation when an actor and his ex (now dealer) sneak into her backyard after running away from a crime scene. It turns out that Jo has a past connection to the Mason-esque cult church that the two are running from and as the volume continues it gets messier and murkier and hints at Jo's mysterious past. I loved having a bit more of her perspective this volume even if there is still so much to learn before the series ends. Just as she entrances every man she comes into contact with, I found myself captivated in the sadness that surrounds her. Where has she been? What has she seen? The art beautifully compliments the mood of the comic, although there are times where secondary characters are hard to distinguish from one another.

My Friend Dahmer

Written and Illustrated by: Derf Backderf

Published: 2012

My Thoughts: I think this might be the first non-comic series comic I've read in awhile. Tom's brother bought it for us for Christmas and I eagerly read through a couple of days later. The subject of the comic is fascinating for a couple of reasons. First and most obviously, it's a look at Jeffrey Dahmer before he was the Jeffrey Dahmer who murdered and raped and ate people. Second, it's fascinating in its complete dullness. Dahmer is a strange guy, for sure, but what high school didn't have the guy who put on weird voices or seemed to be dealing with his own hidden demons? As much as Backderf exclaims over his disbelief that no teachers ever took Dahmer aside or spoke to his parents, I'm not sure there was ever enough, judging off this comic, to really write home about. While Backderf paints a sad tale of a boy who grew up without much love or attention in a tiny town of few distractions and old-fashioned morals which made it difficult to come out as gay, what really hit me was that Dahmer could have been so many people I knew growing up. I knew people who smoked too much pot and drank themselves into comas every weekend. I saw people walk around our high school campus without ever really seeming to fit in or even wanting to. I knew people who struggled with coming out as gay, who battled with their parents or who were hurt by their parents disapproval or oblivion. This comic really hit home that anyone could be a serial killer. Most people won't be, but it's not like they're walking around with a giant sign reading "danger danger, future murderer" while slaughtering kittens in front of you. The book does get a little armchair psychologist-y at times and I think Backderf could have benefited from a little more inward examination but he's done a great deal of work to combine his personal anecdotes from high school with evidence that has since come out about Dahmer's first dalliances with animal mutilation, sexual identity and his first murder. It's sensational without being sensationalist.

Hawkeye: L.A Woman (3)

Written by: Matt Fraction; Illustrated by: Annie Wu, Javier Pulido

Published: 2014

My Thoughts: L.A. Woman is the collection of Hawkeye issues that focus on the lady Hawkeye, Kate Bishop. After being well and truly fed up with Clint/Hawkeye's self-destructive bullshit she decides to make her way to L.A to start fresh and a P.I. Kate felt a little less together in this collection than the previous two and I can't work out if it's just because she doesn't have the human wreck known as Clint Barton to be compared to or if she's actually more of a disaster in these pages. There definitely does seem to be a great deal more of the "she's grown up rich and hasn't ever really had to consider paying for accommodation or food or life" stuff than I think I remember from volumes 1 or 2. These were problems I battled with while reading the volume, but I also fell pretty hard for her almost instantly. Maybe her messy life is a condescending way to make a female superhero appeal more to general readers, but she also felt a bit like a grown up Veronica Mars or Buffy the Vampire Slayer (what with the ass-kicking) which is always okay in my books. David Aja is off art duty this volume, and while I missed his stunning art I quite enjoyed Wu's take on the character. There was a lot more experimentation in terms of the different art styles, and I found the switches into the almost-chibi anime style a nice representation of Kate's arrested development. I am also totally on board for an Elliot Gould look-alike and stories that poke fun at the Hollywood persuit for eternal youth any day of the week.