Showing posts with label pages to panels. Show all posts
Showing posts with label pages to panels. Show all posts

Wednesday, May 13, 2015

Pages to Panels: Another Bookish Guide to Getting into Comics (5)

It's been awhile since I posted a Pages to Panels, and since I'm so sketchy with reviews right now is a doubly good time to share.

Like my first Pages to Panels post, this one is to help match your (book) reading style with some popular comics. Some of the series are ongoing while others have already been completed. One of the toughest things I find with comics is waiting for new issues (I just want to read them NOW) so if you're like that then I recommend going for some of the options that have already been completed.

So here are another three series I think you should all be reading. If you want to go back to some of my earlier pages to Panels posts, the links are all at the bottom of the page.

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1. Fatale - Ed Brubaker, Sean Philips (5 volumes, completed)




I reviewed the first volume of Fatale awhile ago and was absolutely captivated with the effortless blend between horror and noir. It's astounding how well it was done and it was subsequently added as further proof in my very long "Ed Brubaker is a comics god duh" list. The horror elements of this novel are very Lovecraftian but when I was trying to decide on a single book/story to add to the banner it occurred to me that I felt like threads of The Mist were present in it. Not in any narrative sense but thematically or stylistically? I'd have to reread The Mist to work out why it jumped out at me as an obvious comparative choice, but in my gut it feels right. That said, the horror isn't really present in the graphic novel, at least not in the first few volumes. It's almost more that it's something that's hovering around the corner that keeps catching the corner of your eye when it adjusts its position.

Similar comics you might also likeNeonomicon (Alan Moore), Batman Black and White (various authors), Dead Letters (Christopher Sebela)


2. Doom Patrol - Grant Morrison, Richard Case (6 volumes, completed) 


I've mentioned it before but Grant Morrison is weird. But he's the best kind of weird, he opens up your head and forces in all these absurd and fractured concepts that make you look at things differently. Doom Patrol is a comic for the untraditional. The heroes aren't your standard Supermans or Aquamans, they're a motley crew of damaged and unexpected heroes. There's a sentient street, a schizophrenic, a robot and a lot that can't really be explained with a single word. Similarly, the villains aren't your run of the mill variety. My favourite were probably The Brotherhood of Dada, which features a villain who has every power you haven't thought of. The book does a great job of subverting your superhero expectations and will keep your forever on your toes.

Similar comics you might also like: Animal Man (Grant Morrison), Top 10 (Alan Moore), Deadpool (various authors)


3. The Wicked and the Divine - Kieron Gillen, Jamie McKelvie (1 Volume, on going)

Now before all of you American Gods haters write off this comic, the main reason I used it as a comparison is because of the way it utilises mythology. Where American Gods used myths to reflect on culture and cultural identity, The Wicked and the Divine uses it to look at popular culture and celebrity status. If you didn't like American Gods I think you will still like The Wicked and the Divine, and if you don't I doubt it has anything to do with a Neil Gaiman novel.  In WicDiv 12 Gods from the pantheon (which Gods changes every cycle) return to Earth every 90 years to live again. During that time they inspire and distract and torment and are credited as a critical component of societal progress. In this iteration the Gods have come back as musicians (hence the Bowie comparison above, who Lucifer is directly modeled off) except this time an internal conflict has erupted between the Gods. The art and character design in this comic is exceptionally well done. There's a level of minimalism in the panels which keeps the highly saturated colour choices from becoming overwhelming, as well as keeping the focus on our Gods. I think the second volume has either just been released, or is about to be.

Similar comics you might also like: Unwritten (Mike Carey), Saga (Brian K. Vaughan), ODY-C (Matt Fraction)








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Read my previous Pages to Panels posts: 

Monday, January 5, 2015

Pages to Panels - Linkage (4)

I'm working on a new book to comic comparison post, but in the meantime I decided to share some of the links I've acquired over the last few months while working on this feature. They're all over the shop really, some are helpful recommendations for how to navigate the comic world and others are about comics and mental health or science. Definitely worth a read if you're wanting to immerse yourself into this world a little more.



 *From The Mary Sue a helpful guide to reading crossover events (Via The Mary Sue)

*Another handy guide from Jordan at TMS about the importance and unimportance of continuity in comics (Via The Mary Sue)

*Need some more help working out what comics to read? Here's a handy list of some of the web's best comic sites (Via Make Use Of)

*An interesting article on the portrayal of mental illness in comics (Via Slate)

*Varying slightly, this article looks at the use of comics and superheroes in children's therapy  (Via The Daily Beast)

*Moving into the science world, can comics ever replace scientific journal articles? (Via Science Nordic)

*Comic demographics are shifting and the increase in female audiences is having a huge impact on the comic world (Via Business Week)

*Wired wraps up the best comics of 2014 (Via Wired)

*shifting away from comics proper, Empire runs through 40 surprising films that have comic book origins (Via Empire Online)

*Marvel films had a bumper year in 2014 with the release of GotG and Cap America and their announcements for the future of the MCU. According to Devin Faraci, 2014 was the year Marvel redefined themselves (Via Badass Digest)

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Read my previous Pages to Panels posts: 





Wednesday, December 17, 2014

Pages to Panels: New Comics to Jump Straight Into

One of the biggest hurdles I had to get past in comics was working out where to start. I think that's probably why I began with one off graphic novels like Maus (shhh, I got volume 1+2 in a single volume so it counts) and From Hell. But one of the things I love about comics is how sprawling the narratives are. They don't have to wrap everything up in 300 pages or limit themselves to a trilogy. They can expand for years, even decades, and restart when things are starting to get stale. While the impatient part of me loves reading comic series which have wrapped up already so I can just read straight through, I think my love of getting into a series early trumps the joy of spending an entire weekend reading through volumes 1-10 of Transmetropolitan. Following along on that unfolding adventure is one of the true joys of comics. Waiting for the next issue and then devouring it in a single sitting brings back memories of the Harry Potter releases when I was younger, and anything that reminds me of that kind of joy and excitement is obviously getting a huge thumbs up from me.

You can definitely still get this joy if you jump into an established (but still ongoing) story, but I thought I'd share some of my recent first issue finds that are shaping up to be pretty excellent arcs that'll be sure to captivate. 



Bitch Planet (Kelly-Sue DeConnick and Valentine De Landro) came out a week ago and damn, do I love it. It's essentially a 1970s exploitation film infused with a brand of feminism you'd be unlikely to find anywhere near one of those films. The titular Bitch Planet is where the disobedient (and outright criminal) women are sent. It's essentially an outer space Australia (minus the men), complete with people being sent for downright dog shit reasons except instead of it being poor people being villainised for stealing a loaf of bread it's women being villainised for getting in the way of their husband's affair. Well, they aren't all quite so innocent but the-whole-planet- for-disobedient-women is shady as hell. As DeConnick says of the 5 female protagonists:
there are five women, all ridiculous and real, and all very different. One shouldn’t be there. The other four are unrepentant and guilty as Hell.”
 I really enjoyed this first issue. It's about as subtle as a punch to the face and it's insanely campy but SO GOOD. But if you don't think a neon pink holographic depiction of the Madonna-whore complex used as a confession program in a women's prison is the dopest shit around then this is not the comic for you.

But don't just take my word for it: AV Club review


Black Market (Frank Barbiere and Victor Santos) is technically up to its fourth issue, but that's still pretty close to getting in at the ground floor. It's ground floor adjacent, it's basically the mezzanine floor. Black Market is what I'd describe as superhero adjacent. It's not really in the same genre as Batman or The Avengers but it is indelibly tied to it. The story comes down to a moral quandary. What if the key to curing every known disease on Earth lay in the DNA of superheroes? If superheroes are here to help, isn't this the ultimate sacrifice and way for them to help? Down on his luck with an ailing wife, Brainiac Ray Willis finds himself caught up in the mess of harvesting (or trying to at least) superhero blood with his scummy brother Denny. Black Market manages to traverse between the well known tropes of the superhero comic genre right side up and completely flipped on their head. It's the exact right mix of science and superhero, fantasy and grim reality. A brilliant little series so far.

But don't just take my word for it: Comic Vine review


Chances are, even if you've never touched a comic in your life, you've heard about ODY-C (Matt Fraction and Christian Ward). It's the ambitious and incredibly creative gender-swapped, futuristic sci-fi adaptation of Homer's The Odyssey. I don't even know what to write here because, come on, if gender-swapped outer space Odyssey doesn't sell it to you nothing will. No one could ever accuse Matt Fraction of coasting. Whether he's writing for Marvel or tackling epic poems, you know he's going to push the envelope. I don't think you need to have read The Odyssey to truly enjoy this comic, but like any adaptation a great deal of the enjoyment (for me anyway) is knowing how the new writer tackles the original story's themes, characters and style. The art is also something else. That cover above doesn't even begin to do justice to the epicness of the art within. It really plays with traditional comic panels and forms, so I'm not sure if that would make it harder or easier to read for a comic newbie. But read it regardless.

But don't just take my word for it: IGN review


Grant Morrison's Multiversity is an interesting addition to this post. Technically there is more than one issue out, but they're all technically first issues. Multiversity is, essentially, a series of one shots (single issues) that take place within the 52 alternative universes set up in the mid-2000s series 52. These may only be one-shots now, but it has been pretty heavily signposted that they may be expanded into full-run series. It's an interesting and eclectic mix of storytelling. Each issue, while interrelated, presents a world very different to the issue before it, told in a very different way. I'd imagine people will definitely gravitate towards particular one-shots and away from others - depending on the characters, genre and style. It's also one of the few comic series that doesn't include a single straight, white male protagonist. Full warning though, Grant Morrison is weird. I love his writing and his comics are some of my favourites, but I often feel like things are flying way over my head when I read him. But I personally kind of like that. I like that feeling that I could revisit a comic of his in 10 years and the Kayleigh then will respond to it very differently to the Kayleigh now. But it's also something that will turn some people off completely. So tread carefully with this one if you haven't read Morrison before, maybe keep an eye out for Comixology sales or borrow a copy from a friend.

But don't just take my word for it: Pop Matter's Pax Americana Multiversity review

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Read my previous Pages to Panels posts: 

Tuesday, November 11, 2014

Pages to Panels: A Bookish Guide to Getting Into Comics. SUPERHEROES (2)


Heyyyyyyy, it's time for round two of Pages to Panels!



I was going to make this instalment another "if you like this/read this" post but I know that one of the issues I first had to overcome as a comic reader was where the hell do you start? Series like Fables or Rat Queens are easy because even if they're 20 volumes in  there's a clear linear progression. It does get a little messy when they start working on side series and prequels, for instance Fables has Jack of Fables and Fairest - two series which occasionally dip back into the Fables narrative,  but for the most part these newer series are still not nearly as difficult to work out a reading order for.

But if you're interested in a traditional superhero series? Hell to the no. It's like wading into quicksand, just a quick scan at the hundreds of titles for a single hero will make you feel like you're well out of your depth. The first thing to keep in mind is that it is incredibly unlikely you'll ever be able to read an entire hero's back-catalogue. Not only are you potentially looking at 60 years of stories, but there are cross-over editions and specials and singular runs which add tonnes and tonnes of titles to an already heavy load. Not to mention, honestly, you probably don't want to read them all anyway. Characters evolve and the Batman you love from the Nolan trilogy is very different to the Batman of the 1950s. If you're attracted to the dark and brooding Dark Knight then you probably don't want to read any Batman pre-1980s. By all means get a taster for early Batman, but if you decide it isn't your jam then just mooove on. And that's okay. Life long comic book readers will occasionally try and shame you for not knowing what happened in issue 47 when Batman faced off against Freeze* but your time is precious. So screw those guys.


Batman is actually a fantastic starting point. He may have continuous runs dating back to the stone ages but his stand-alone arcs are brilliant and super easy to read in any order. One thing to keep in mind is that comics love to reboot and redux and re-imagine. What was the Joker's origin story in the 1970s is unlikely to be the same  in 2000. So while you may decide to start on an arc written in the 1990s, don't assume that what you know from the films or cartoons is any basis for what you're heading in to. My best advice is to just ignore anything that isn't in the comic in front of you. Don't worry about the Joker or Freeze or Robin. And if you come across a mention of a fight or a villain that doesn't seem to be mentioned previously in the comic, it was probably in a cross-over issue and just jump onto Google.



But back to Batman arcs.

If you come to me for recs I'm going to suggest Alan Moore's The Killing Joke, Jeff Loeb's The Long Halloween, and the epic Knightfall. They were the first three arcs I read (in that order as well) and I never felt like I was out of my depth. The beauty of Batman is that while some details might change (namely who is Robin and various villain's origins) the general gist of it remains the same. You have your wealthy man about town who is also their protector. And he dresses like a bat. A man-sized bat. And since he is stinking rich he always has excellent toys. The rest of the details come from the arc you read -how brooding he is, his relationships, age and mental state - that all depends on which storyline you decide to read.

The internet is a beautiful thing. While I am fairly well versed in the comics I've chosen to focus on, I'm still far from the person you necessarily want to go to for a thorough breakdown of superheroes. That's where that pretty, pretty internet comes in. The DC wiki is obviously a pretty decent starting point, especially if you want to jump in at a later arc and just read up on the general story progression up until that point. The same goes for Wikipedia. If you have a couple of titles that jump out at you but you want to know a little more about them, wikipedia is pretty thorough in this regard. But if you want a more in-depth suggestion on the critical arcs and where to then move on from there are some other sites that will serve you well.

A Comic Book Blog has a really fantastic run down of seminal Batman arcs. They introduce you to the narratives, why they're important and also offer the next read based on which choice you make.

The AV Club also has a decent run down which is especially helpful because it's aimed at film fans who may have no comic experience with the Dark Knight at all.

Comic Vine is a bit more a time line (and a little bit spoiler-y) than a really helpful guide, but they've steered me in the right direction for other heroes and are therefore a pretty handy reference to keep bookmarked.

But on the off chance you're not interested in Batman you can basically take all of that advice and change Batman for Superman or Captain America. Comic Vine and A Comic Book Blog look at a wide array of heroes, and Wikipedia will be your friend regardless of which side of the DC/Marvel battle you pick.

I know buddy, they're crazy
That said, I've found other superheroes harder to get into than our dear Dark Knight, mostly because a lot of them don't have the detective serial aspect of Batman arcs and some of them are just insanely convoluted. There are two main ways I've attempted to traverse new (to me) heroes. The first is the simplest and maybe best for newcomers, the current runs of DC and Marvel comics. If you're looking at DC that would be the New 52 (which kicked off in late 2011) or Marvel Now! for Marvel (2012- current). These are both made as easy entry points for new readers. There's been a mixed-response from older comics readers but I've found this to be a pretty great way to get into a few series that otherwise would have been too tricky. It's how I discovered Aquaman, Guardians of the Galaxy, and Captain Marvel. Once you've read up on this particular run, you can make the decision to travel back to earlier incarnations or to simply stay on the road they're paving. And either option is absolutely acceptable.

The other option is the movie route. After seeing X-Men: Days of Future Past I was interested in reading how the comic differed from the film. I had never actually read X-Men before and of all the superhero series this is probably the most mind-boggling one to try and get into. It's full of paradoxes and twins and Days of Our Lives level soapy drama. DoFP is a short run, about 5 issues, and by itself isn't too bad. It mostly involves characters you know from the films and unless you read up on it first you aren't likely to know how loopy the wider plot around it is. Similarly my first Captain America comic was the Winter Soldier double volume which I decided to pick up partly because I enjoyed the film and partly on the strength of writer Ed Brubaker. So this is definitely an entryway into the comics, but it's likely that most other films have taken a mid-point comic or even parts of several arcs to produce their films, so it's probably best as a taster. Ultimately you'll probably need to hunt around the web to work out where is best to start, which is where the websites above will come in handy. Or just Google "superhero" + where to start and work your way through the blogosphere.

Finally, if you mostly want to read some comics as a companion to the Marvel and DC films then there are some volumes that would be more helpful than others. Now that we have a basic idea of the story lines for the future Marvel films (and the rumoured DC arcs) there are some comics that will better help round out your understanding than others. Let's go!



Captain America: The Winter Soldier (written by Ed Brubaker, illustrated by Steve Epting) - While it's a bit darker than the film version, this comic is a really solid starting point if you're interested in starting either the modern Captain America and Winter Soldier arcs. It reflects back on his more idealistic early days as Cap, as well as reflecting on the difficulties that a man from the 1940s faces in the modern world. It's also a good primer for the Civil War story arc, which we now know is going to play a pretty major role in Marvel's phase 3. It's more a backgrounding that an explicit lead-in, but I think it does a good job of explaining the mentality of Cap as that storyline begins.

Aquaman: New 52 (written by Geoff Johns, illustrated by Ivan Reis and Joe Prado) - As I said in my mini-review, I never thought I'd read Aquaman but I found the New 52 not only gave me an introduction to the character while hinting at old storylines I'd eventually want to discover, but it made me feel awful for ever laughing and suggesting he was a "useless" hero. Aquaman has been announced in the next Batman V Superman movie as well as his own standalone (Hello Jason Mamoa!) and DC is rumoured to be mining heavily from the new 52 so if you start here you'll be sure to get the most accurate origin for the films.

Captain Marvel: In Pursuit of Flight (Written by Kelly Sue DeConnick, illustrated by Deter Soy, Emma Rios) - There have been seven Captain Marvels and Carol Danvers (former Ms Marvel) is the latest to take on the mantle. The main reason I recommend starting here is firstly because the movies will be taking on this particular character and (likely) story thread, but also because I found it a really helpful starting point for a bunch of other series. Danvers gained her particular powers from the original Captain Marvel (a Kree alien named Mar-Vell) so in this volume you actually get the best of both worlds, a look at both Earth bound and cosmic heroes. Even though some things may only be alluded to or mentioned in passing, I found the brief mentions of the inhumans,  Kree technology and Danver's past to be indelible when I went on to read Guardians of the Galaxy and Ms Marvel and Annihilation. 

Suicide Squad: New 52 (written by Adam Glass, illustrated by  Frederico Dallocchio) - While personally I'd recommend starting this series at the John Ostrander, since all of the news of the film has been centred around Harley Quinn if you're mostly interested in it to contextualise the film then this is the place to start. Unlike my other recs, these aren't heroes. They're well known DC villains who are forced into undertaking black ops missions for the US government. It has massive potential to be completely different from the superhero films currently on our screens and it's perhaps the announced film I'm most excited about (aside from Wonder Woman OBVS). Read here for a little bit more info on exactly what the series is about, and why it'd be a great film.

This is basically the way I've thrown myself into comics. Is it necessarily the smartest or simplest way? Eh, maybe not. But it's worked for me. The Mary Sue just published a really interesting piece about "what to know now that you know you want to read comics". It's got a bit more of a breakdown of exactly what comics are - single issues, trades etc and the best way to navigate that area. So I highly recommend giving that a read too.


*To any angry fanboys strolling through - that is a hypothetical issue 47, I know it isn't real. 

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