Showing posts with label neil gaiman. Show all posts
Showing posts with label neil gaiman. Show all posts

Thursday, October 23, 2014

Graphic Novel mini-reviews #25 - Heroes of the Past, Heroes of the Future

Guardians of the Galaxy: Realm of Kings (Volume 4)

Written by:  Dan Abnett; Illustrated by: Andy Lanning, Brad Walker

Published: 2010

My Thoughts: And so ends the original run of the Guardians of the Galaxy, not with a bang but an even BIGGER bang. Everything that's been building up in the previous volumes, the wars and the tender, fragile universe, the threats coming from every possible antagonist, explodes in a messy pile of bodies and gunk. There is a bit of a flip flop that I wish they hadn't gone with, it leads them down an interesting path but it does feel a bit like hand-wringing and not wanting to make any serious permanent commitments. It's like modern (like the last 2/3 seasons) Doctor Who, they do something devastating and then wave their wibbley wobbley timey wimey magic wand and make everything go back to normal. It's not a huge flaw in the narrative, more a disappointment*. I saw a comic comparing the Guardians with the team of Firefly and that's such a true comparison. They are these brilliant, absurd characters who care about each other and mean well but they are constantly making everything worse. They are ruled by emotion and stubbornness and they want to do the right thing and they usually do, but sometimes an old enemy or a powerful love throws a wrench in the plan. It's a pleasure to finish out the run of comics, now onto The Thanos Imperative, the Annihilation comics and the latest run of GotG!


1602

Written by: Neil Gaiman; Illustrated by: Andy Kubert

Published: 2003

My Thoughts: 1602 re-imagines the Marvel universe as though it existed in 1602. It basically takes the fear and confusion of this particular era and replaces well known events or historical characters with Marvel characters. So we have Doctor Strange as the physician to the ailing Queen Elizabeth while Nicholas (Nick) Fury is the Queen's enforcer/head of intelligence. There's a sub-plot about the troubled Roanoke colony in the 'new world', and the Spanish Inquisition is hunting witchbreeds (X-Men). The facet of the inquisition that we witness is led by a rather well known character who I won't name for fear of spoilers (although I picked it straight away). There's Doom and the Fantastic Four and Captain America and while some are very clearly identifiable (Peter Parquagh for instance), others are much harder to pick and are mostly identifiable through certain skills, clothing choices and the groups they travel with. The actual plot is quite meta, but I'll hold back to leave you something to discover for yourself. Broad picture though, there are a series of storms and weird occurrences which are plaguing London and the rest of Europe and which Strange believes are signs that the world is ending. The key to saving the world apparently lies with a weapon that is being delivered to London by one of the few remaining Knights Templar - but getting it across Europe will require the help of a certain redheaded feller. The story itself is a lot of fun, part action and part mystery, although it does seem to get needlessly complicated from time to time. But truly, the real fun is in working out which characters are which and seeing the inventive careers some of them are given.


Captain America: Winter Soldier (Volume 1)

Written by: Ed Brubaker; Illustrated by: Steve Epting

Published: 2005

My Thoughts: While I quite like the Captain America films I've never really had much desire to delve into the comics. Since Cap is one of the earlier incarnations of superheroes it's a pretty tough choice to work out where to even start. But Winter Soldier came up in a related search and since I have an affinity for Ed Brubaker's darker take on realism I figured I'd give it a shot. This Captain America is far, far darker than the one you see in the Marvel movies. Since waking up after half a century frozen in ice the world the Cap knew has changed into something unrecognisable and he finds himself doing the same. He's disillusioned and unsure and as a result he's getting angrier and tougher and more violent. It's bound to cause irreparable damage somewhere down the line, something Agent 13 (Sharon Carter) is more than a little aware on. Throw in Red Skull, a power cube and the haunting re-emergence of some old memories and you've got a rollicking good comic. On to part 2!


*sorry for the vagueness, I don't want to out and out spoil anything from this or the previous volume.

Thursday, October 16, 2014

Pages to Panels: A Bookish Guide to Getting into Comics (1)

Comics are a hard medium to break into. Unless you're purely sticking with the literary graphic novels you have 60 years of convoluted, conflicting and confusing story lines to try and get your head around. There are a tonne of great sites online that can help you work out which story line to start with for certain superheroes or which to avoid, but since everyone who reads this blog is a book reader first and foremost I thought I'd write a bit of an introductory post for people wanting to break into the comic world.

There are the obvious choices that I'm sure most of your have already read or at least heard about. Maus by Art Spiegelman, From Hell by Alan Moore, Alif the Unseen by G. Willow Wilson, Fun Home by Alison Bechdel. They're typically one off editions (or two in the case of Maus) and heavy on the literary angle. They're all brilliant and you should definitely read them *stares menacingly until you all add them to you Goodreads lists*. But what if you're thinking you want something a little more serial in nature? Something that tackles a particular genre or story line or character arc over a much longer time frame. Well aren't you a lucky duck? I'm here to do exactly that. And to make it even easier, rather than just list a bunch of awesome comics (I mean, you could just check out my review tab for that) I'm going to give you a neat little pathway to wander down, complete with shonky paint graphics.

I'm just starting with 5 recommendations today, but if people seem to enjoy these I'll plan out a few more posts*. And maybe work out a way to make these graphics look less pathetic. These are a mix of new and old comic series, but they're also all fairly straight forward. You're not likely to have any cross-over nightmares to deal with here, thank god.


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 1. Rat Queens - Kurtis J. Wiebe, Roc Upchurch (8 issues, ongoing)


If you like the comedic fantasy stylings of Terry Pratchett and Christopher Moore you will probably adore Rat Queens. Rat Queens has the style of D&D fantasy world elements and characters you'd expect to find in a Discworld novel and it's fantastically coupled with the biting humour of both Moore and Pratchett. It's foul-mouthed and rough, but the camaraderie between the four female protagonists is the real motivator in the story.

Similar comics you might also like: Saga (Brian K. Vaughan), Chew (John Layman)


2. Transmetropolitan - Warren Ellis, Darick Robertson (10 volumes, completed)


Big fan of Hunter S. Thompson and his outlaw breed of gonzo journalism? Then you should absolutely follow Spider Jerusalem's antics in Transmetropolitan - since he's inspired by the gun-wielding, drug-taking, truth-talkin' HST. The books take place in a futuristic world where morals, ethics and anything resembling self respect has been traded in for cold hard cash. The humour is dark and the social criticism biting. This was actually my very first graphic novel series and (fun fact) the way Tom wheedled his way into my heart when he saw me in a bar wearing a HST t-shirt ("have you heard of the comic Transmetro - I have the whole series if you want to borrow it").

Similar comics you might also like:  Preacher (Garth Ennis), Watchmen (Alan Moore)


3. Ms Marvel - G. Willow Wilson, Adrian Alphona (9 issues, ongoing)


Ms Marvel is a pretty big deal for a number of reasons. It's the first (or close to) comic to represent both a muslim and female protagonist in an incredibly progressive and positive way. It manages to take the stress of suddenly becoming a superhero and make it incredibly relatable. Khamala Khan deals with the issues every teenager deals with - doing her homework, abiding by her parents rules, conflicting with friends and school bullies, doubting with your self-worth and appearance every other minute - but it does it with the added lenses of being a Pakistani-American and a superhero. There are probably a half dozen YA novels I could have listed here, but one of the best qualities of Ms Marvel is how fresh and funny the dialogue is. Lots of pop culture references and self-deprecating humour, with  moments of startling reality thrown in to add weight. If you're a fan of Allie Brosh's ability to blend serious discussions on depression with ridiculous dog stories in Hyperbole and a Half and/or love Cline's pop culture rich Ready Player One then you should hunt this series down.

Similar comics you might also like:  The Runaways (Brian K. Vaughan/Joss Whedon), Lumberjanes (Noelle Stephenson), She-Hulk (Charles Soule)


4. Locke and Key - Joe Hill, Gabriel Rodriguez (6 volumes, completed)


If I am going to recommend one comic it'll probably be Locke and Key. Like NOS4R2 and The Ocean at the End of the Lane, Locke and Key blends horror and fantasy elements with stories of family and loss. They're fun and exciting and a teeny bit tense but they also pack a wallop of an emotional punch that hits you when you aren't expecting it. A horrific coming-of-age story, if you will.

Similar comics you might also like:  The Cape (Jason Ciaramella), Pretty Deadly (Kelly Sue DeConnick)


5. Fables - Bill Willingham, Mark Buckingham (145 issues, ongoing)


Okay, so throwing in Once Upon a Time is a bit of a cheat since it's TV but it did begin as an adaptation of Fables, so cram it. Bookwise though, I see a lot of similarities to the Thursday Next series by Jasper Fforde. While Thursday is an outsider coming into the literary world, Fables is told entirely from the perspective of the displaced fairytale characters. Both work hard to infuse clever nods and hints to their literary origins and are broad mystery series. They also have a lot of heart and a good idea at its core but didn't really come out of the gate at full speed. Which is a nicer way to say that I was pretty meh when I first read each of them, but ended up loving a lot of it in later volumes.

Similar comics you might also like: The League of Extraordinary Gentleman (Alan Moore), Kill Shakespeare (Conor McCreery), Unwritten (Mike Carey)

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* If people have specific genres or styles of books they'd like to find a comic partner for let me know in the comments and I'll see what I can do!

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